*Selected* Products

Contact Us

Educational Music Service
P.O. Box 580
Chester, NY 10918

Phone: 845-469-5790
Phone Hours: 10am to 1pm and 2pm to 5pm Eastern, Monday through Friday

Fax: 845-469-5817
Email:
[email protected]

Don's Search Tips Video
Don Boyer's Search Tips Video
(Click the picture to View)

Recent Kudos
"EMS has been exceptional
at finding
the Nieweg et al.
corrected editions for our orchestra."











Credit Card Processing





Secure Order Form

  Home > Solo Instrumental >

BACH, Johann Sebastian (1685-1750) - Suites (6) for Cello (BWV 1007-1012) (Urtext - revised) (Talle) BAERENREITER VERLAG - cello
BACH, Johann Sebastian (1685-1750) - Suites (6) for Cello (BWV 1007-1012) (Urtext - revised) (Talle) BAERENREITER VERLAG - cello
 
Prices shown are not guaranteed.  If you need a firm price quote, please use the check box at checkout to request one.
List Price: $41.25


Availability: Usually ships in 3-4 weeks, or give a specific Rush Delivery Date at Checkout.
Product Code: EMS345543
Qty:

Other Ref. # / Component / Instrumentation / Duration
 
BA05257 / cello / vc

The Bach Suites for Cello take center stage in the cello literature. They are timeless and beautiful, and accompany cellists from their student years up through their professional career at the highest level.

Baerenreiter, publisher of the New Bach Edition (NBA) and New Bach Edition - Revised (NBArev), feels particularly committed to the cello suites. They have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike.

This new edition, based on volume 4 of the New Bach Edition � Revised (NBArev), now completes Baerenreiter�s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day.

The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. �This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer.�