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RESPIGHI, Ottorino (1879-1936) - Fountains of Rome (Fontana di Roma), P.106 (Critical Performance Edition) (C.F. Nieweg/D.J. Miller). SERENISSIMA MUSIC
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SM30038-0 / orch: 2+1, 2+1, 2+1, 2 - 4, 3, 3, 1, timp, perc, 2hp, cel, org, pf, str / Dur 16
The newly engraved 2025 Critical Performance Edition (CPE) is the result of over 30 years of meticulous research and editing based on the first printed score of 1918 with corrections. The main sources are the errata list for the MS, Ricordi PR 206 full score and corresponding parts, the PR 438 study score, and the 1919 four-hand piano reduction by the composer.
This edition has incorporated hundreds of edits and corrections, building upon the Nieweg/Bradburd 1994 edition which itself had incorporated many edits and corrections.
The CPE includes the original 2-page front matter: instrumentation page, errata list, and notation changes.
This edition was premiered on March 8 and 9, 2025, by the Cincinnati Symphony (Giancarlo Guerrero, conductor).
This new, corrected edition was created from original sources to benefit conductors and performers in its engraving and design, and consequently brings enhanced accuracy and transparency to the performance material.
Offered in a special folio-size (11" x 14.25") full score (spiral bound), as well as the standard size (9.5" x 12.5"). The larger score is printed on an 80-lb off-white stock to minimize tears when turning pages and to maximize visibility under stage lighting.
This new CPE replaces the 1994 edition (parts for that edition can be supplied for those who might be missing items from a previously purchased set).
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RAVEL, Maurice (1875-1937) - Bolero (original) (2025). EDWIN F. KALMUS
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A9373 / orch / Dur 15
2(2nd d. Picc)+Picc.2(2nd d.Obd'am)+EH.2+ECl, BCl.2+CBsn: SSSax.SSax(d. TSax): 4.3+PiccTpt.3.1: Timp.Perc(5): Clst.Hp: Str (9.8.7.6.5 in set). This edition includes transposed parts and alternative parts for those less common instruments Ravel utilized in this work.
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MAHLER, Gustav (1860-1911) - Symphony No. 5 in C-sharp minor (critical edition) (Pfefferkorn/Riedel). BREITKOPF & HAERTEL
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PB05635 / orch: 4d1, 3d1, 3 (d Db/E Bcl), 3d1 - 6, 4, 3, 1, timp, perc, 2hp, str / Dur 65
IMPORT POSTAGE MAY APPLY.
(IMPORT POSTAGE MAY APPLY.)
Textcritical Edition edited by Nick Pfefferkorn and Christian Rudolf Riedel [orch] Duration: 74'
4(4picc).3(cor ang).3(D/Eb.B-clar).3(dble bsn) - 6.4.3.1 - 2hp.timp.perc(4) - str
- Spacious format for optimal legibility
- Practical page turns, useful cue notes
- Clarinets "in D" and "in C" also "in Eb" and "in Bb' in the parts
- Percussion score instead of separate parts
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GERSHWIN, George (1898-1937) - Concerto for Piano in F (Urtext) (Gertsch). BREITKOPF & HAERTEL
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PB15140 / pf, orch
From publisher's website: In its eventful history, George Gershwin's "Concerto in F" went through numerous changes, cuttings, arrangements, many of which were doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 (five years after Gershwin's death), contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score and orchestral parts) and G. Henle Verlag (piano reduction).
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SCHUMANN, Robert Alexander (1810-1856) - Concerto for Cello in A minor, Op.129 (Urtext) (Kate Bennett Wadsworth). BAERENREITER VERLAG
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BA08839 / vc, orch: 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo vc / Dur 23
- Scholarly-critical edition of the concerto's version authorized by Schumann
- With detailed textual and audiovisual documentation on performance practice
Volume / Series
BAERENREITER URTEXT
Editor
Wadsworth, Kate Bennett
Instrumentation of the work
Orchestra
Language(s) of text
German, English
Product format
Score, Urtext edition
Pages / Format
XXXIII, 70 S. - 31,0 x 24,3 cm
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RESPIGHI, Ottorino (1879-1936) - Roman Festival (Feste romane). LUCK'S MUSIC LIBRARY
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LUC12834 / orch
3D1.2+1.3+1.2+1/4.4.3.1,timp,perc,mandolin,org,piano (2 players/4 hands),3 buccina,str
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STRAUSS, Richard (1864-1949) - Heldenleben, Op. 40 (Urtext) (Pfefferkorn). BREITKOPF & HAERTEL - large score (10.5" x 14") (p)
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PB05711 / large score (10.5" x 14") (p) / orch: 3+1, 4d1, 2+1+e-fl.cl, 3+1 - 8, 5, 3, 2, timp, perc, 2hp, str / Dur 45
First Urtext edition since the first print
Evaluation of all available sources (e.g., autograph score as well as the corrected printed scores by Walter Seifert and Clemens Krauss)
For the first time ever, the first version of the ending is included
Due to sophisticated alternatives in the parts, both endings are performable
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RAVEL, Maurice (1875-1937) - Bolero (original). LUCK'S MUSIC LIBRARY
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LUC12720 / orch
2D1+1.2D d'amore+1.2+1+Eb.2+1/4.3+petite tpt.3.1,timp,5 perc,sax,cel,hp,str
Errata corrected. Transposed/Transcribed: Bn 1+2 in Bass clef, Picc Tpt in Bb (transposed from Petite Trumpet in D), Tpt 1-3 in Bb, Trbn 1+2 in Bass clef, Sopranino Sax in Eb (transposed from Sopranino Sax in F), Soprano Sax in Bb (alternate for Sopranino Sax). (10 parts total) Alternate parts: Alternate Oboe d'Amore part included in the Original Oboe II AND Original English Horn parts, divided based on the range of each instrument. Optional Sopranino Sax in Eb OR Soprano Sax in Bb = alternate parts for Sopranino Sax in F. See notes in score for more details on the alternate parts.
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JANACEK, Leos (1854-1928) - Sinfonietta (ILJ 22) (Fuessl). EDWIN F. KALMUS
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A9338 / orch
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MAHLER, Gustav (1860-1911) - Symphony No. 9 in D (Riedel) (Critical Edition). BREITKOPF & HAERTEL
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PB05639 / orch / Dur 75
Textcritical Edition edited by Christian Rudolf Riedel [orch] Duration: 75'
picc.4.4(cor ang).5(Eb-clar.Bb-clar).4(dble bsn) - 4.3.3.1 - 2hp.timp.perc(4) - str
-string parts with and without Mahler's bowing marks
-(marked part is included with the set as a set-up aid)
-scoring with two harps as arranged by Bruno Walter
-spacious layout for optimal legibility
-suitable page turns and cue notes
-aids for orientation and instrument changes
*** PLEASE NOTE: IMPORT POSTAGE APPLIES (FEDEX ECONOMY FROM GERMANY)
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MAHLER, Gustav (1860-1911) - Lied von der Erde (2022, Ed. Christian Riedel). BREITKOPF & HAERTEL
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PB05641 / 2 vo(high & med), orch: 3+1, 3d1, 2+1+e-fl.cl, 3d1 - 4, 3, 3, 1, timp, perc, 2hp, mandolin, str, soli(T,A or Bar) / Dur 64
The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his "Symphony in Songs" himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fuessl, many questions remained unanswered, while other were answered in a dubious way.
This edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.
The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woess, which was commissioned by the composer himself, served as an inspiration for this.
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TCHAIKOVSKY, Peter Ilyich (1840-1893) - Serenade in C, Op. 48 (Urtext) (Ed. Tanja Geschwind). BREITKOPF & HAERTEL
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PB05271 / str orch: str / Dur 28
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