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JANACEK, Leos (1854-1928) - Sinfonietta (ILJ 22) (Fuessl). EDWIN F. KALMUS
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A9338 / orch
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TCHAIKOVSKY, Peter Ilyich (1840-1893) - Serenade in C, Op. 48 (Urtext) (Ed. Tanja Geschwind). BREITKOPF & HAERTEL
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PB05271 / str orch: str / Dur 28
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MAHLER, Gustav (1860-1911) - Lied von der Erde (2022, Ed. Christian Riedel). BREITKOPF & HAERTEL
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PB05641 / 2 vo(high & med), orch: 3+1, 3d1, 2+1+e-fl.cl, 3d1 - 4, 3, 3, 1, timp, perc, 2hp, mandolin, str, soli(T,A or Bar) / Dur 64
The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his "Symphony in Songs" himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fuessl, many questions remained unanswered, while other were answered in a dubious way.
This edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.
The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woess, which was commissioned by the composer himself, served as an inspiration for this.
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SCHUMANN, Robert Alexander (1810-1856) - Concerto for Cello in A minor, Op.129 (Urtext) (Kate Bennett Wadsworth). BAERENREITER VERLAG
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BA08839 / vc, orch: 2, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo vc / Dur 23
- Scholarly-critical edition of the concerto's version authorized by Schumann
- With detailed textual and audiovisual documentation on performance practice
Volume / Series
BAERENREITER URTEXT
Editor
Wadsworth, Kate Bennett
Instrumentation of the work
Orchestra
Language(s) of text
German, English
Product format
Score, Urtext edition
Pages / Format
XXXIII, 70 S. - 31,0 x 24,3 cm
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MAHLER, Gustav (1860-1911) - Symphony No. 9 in D (Riedel) (Critical Edition). BREITKOPF & HAERTEL
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PB05639 / orch / Dur 75
Textcritical Edition edited by Christian Rudolf Riedel [orch] Duration: 75'
picc.4.4(cor ang).5(Eb-clar.Bb-clar).4(dble bsn) - 4.3.3.1 - 2hp.timp.perc(4) - str
-string parts with and without Mahler's bowing marks
-(marked part is included with the set as a set-up aid)
-scoring with two harps as arranged by Bruno Walter
-spacious layout for optimal legibility
-suitable page turns and cue notes
-aids for orientation and instrument changes
*** PLEASE NOTE: IMPORT POSTAGE APPLIES (FEDEX ECONOMY FROM GERMANY)
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MUSSORGSKY, Modest Petrovich (1839-1881) - Pictures at an Exhibition (Ravel). LUCK'S MUSIC LIBRARY
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LUC12733 / orch: 3d1, 3d1, 2+1, 2+1, sax - 4, 3, 3, 1, timp, perc, 2hp, cel, str / Dur 29
Pictures at an Exhibition (Ravel) (Masterworks Series).
Errata corrected. Transposed parts: Cl 1+2, Bass Cl in Bb, Tpt 1-3, Trbn 1+2. Orchestrated by Ravel. Solo tuba in Bydlo.
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WILLIAMS, John Towner (b.1932) - American Journey (Selections) (Signature Series). HAL LEONARD
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HAL04491611 / orch
Premiered at the Lincoln Memorial on New Year's Eve 1999, American Journey is a sweeping orchestral work by John Williams. Written to accompany Steven Spielberg's multimedia presentation for the nation's Millennium celebration, this po
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BACH, Johann Sebastian (1685-1750) - Chaconnes (2) (BWV 1178 & 1179) (Urtext) (Wollny). BREITKOPF & HAERTEL - organ (oblong format)
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EB9648 / organ (oblong format) / org
The search for unknown works by Johann Sebastian Bach has a long tradition that began in the 19th century with enthusiastic Bachians such as Felix Mendelssohn Bartholdy. If, in the present day, two hitherto unattributed organ works are ascribed to the young Bach, then this is a musicological and, above all, a musical sensation!
After more than 30 years of intensive research, Prof. Dr. Peter Wollny was able to prove beyond a doubt that the young Bach was the composer of both pieces.
The Chaconnes BWV 1178 and 1179, published in 2025 for the first time, add two melodious compositions to Bach's early organ repertoire, offering insights into the artistic development of the budding master.
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RESPIGHI, Ottorino (1879-1936) - Roman Festival (Feste romane). LUCK'S MUSIC LIBRARY
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LUC12834 / orch
3D1.2+1.3+1.2+1/4.4.3.1,timp,perc,mandolin,org,piano (2 players/4 hands),3 buccina,str
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RAVEL, Maurice (1875-1937) - Bolero (original) (2025). EDWIN F. KALMUS
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A9373 / orch / Dur 15
2(2nd d. Picc)+Picc.2(2nd d.Obd'am)+EH.2+ECl, BCl.2+CBsn: SSSax.SSax(d. TSax): 4.3+PiccTpt.3.1: Timp.Perc(5): Clst.Hp: Str (9.8.7.6.5 in set). This edition includes transposed parts and alternative parts for those less common instruments Ravel utilized in this work.
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STRAUSS, Richard (1864-1949) - Heldenleben, Op. 40 (Urtext) (Pfefferkorn). BREITKOPF & HAERTEL - large score (10.5" x 14") (p)
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PB05711 / large score (10.5" x 14") (p) / orch: 3+1, 4d1, 2+1+e-fl.cl, 3+1 - 8, 5, 3, 2, timp, perc, 2hp, str / Dur 45
First Urtext edition since the first print
Evaluation of all available sources (e.g., autograph score as well as the corrected printed scores by Walter Seifert and Clemens Krauss)
For the first time ever, the first version of the ending is included
Due to sophisticated alternatives in the parts, both endings are performable
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GERSHWIN, George (1898-1937) - Concerto for Piano in F (Urtext) (Gertsch). BREITKOPF & HAERTEL
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PB15140 / pf, orch
From publisher's website: In its eventful history, George Gershwin's "Concerto in F" went through numerous changes, cuttings, arrangements, many of which were doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 (five years after Gershwin's death), contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score and orchestral parts) and G. Henle Verlag (piano reduction).
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